What Kinds of Words? redux

What kinds of words might the kudzu whisper to the magnolia branches as it overtakes them?

 I imagine them to be syllables of consolation and care, spoken with tenderness despite the encroachment of vine over pod. Inexorability curls around each phrase in a drawl, slowed so that the emerging noises sound like a record played at the wrong speed, lulling branches and blossoms into acquiescence.

How long does it take for rust to darken into this bloody burnt sienna?

No one can tell. The flakes defy any sort of analysis and resist being studied with the tenacious insubstantiality of snowdrops hurrying into dirt when flurries fall and the earth is too warm for them to stick.

When will this well run dry? And when it does, what will you do for drinking?

Its water, like the backside of that old barrel I found down in the ravine last fall, has been rusty for some time now, and there's no telling what will happen next. I can't say but I had a dream the other night about a tall machine, like a crane or a giraffe, lanky with angles of metal that reach up to the sky when they should somehow be digging. When I woke I felt taller for a moment, and also deeper, as if the soles of my feet had met up with some spilled honey or errant tar while I walked in my sleep.

Whose face do you see in the moon?

Last time I looked, it was a bitter old man, in love with rocks, who collected them in heaps and hid them behind big sheets of glass for no one to hold and touch. That glass is cracked and clamped together now with big metal pincers and I see stick figures of men running in the stacks of marble alongside the buildings where the rocks wait for someone to see them, know them, hold them, collect them, love them.

How do you know what those rocks need?

I can't say but I had a feeling last time I was with them that they were lonely, that their coldness belied an ache for touch, a stony pulse that no scope can find. Of course, I could be wrong.

What kind of birds are those in the big white oak down by the train tracks?

They don't resemble any other birds I've ever seen. Their feathers almost glow with greenness and they sound like killdeers do at dusk, but they don't play games in the grass to keep things safe at home.  There are four of them and they share branches with six or seven crows in peace, the bigger darker birds still and silent like silhouettes in a shadow box.

How do you know what to gamble on?

No one can say for sure. It might be numbers, taken from some pool of pattern we all dip into when we need to quantify or guess. It could be weather: the blessing of rain in lakes, the welcome screen of snow on grass in early morning, the return of warmth. Or it could be something else entirely: a roll of the dice into the grace of shadow and the diminishment of wealth. Smallness, a challenge and a psalm, dealt out like manna or a sacrament as things fall apart and the center splinters into pieces of itself in places we can't reach or see. Loss, a subtraction resisted at first but then embraced and even loved.

When will we know when to quit?

When the smoke turns colors we don't see now. When cities percolate with the sounds of moving feet, not rushing but ambling, sharing the roads with the fed travelers who once sat hungry and alone on crowded hillsides. A multitude, at peace and heading towards some common space of work and gentle effort, a tribe finally able to claim its sustaining voice in the spaces where the words once slept.